Just before Christmas last year I ran a lovely little workshop as part of a lovely series called “the colourists“. It was part of the Urban Dream Brokerage and the brainchild of the lovely Sophia McKinnon .
I ran the final workshop, in the final room all about the colour blue.
Here are some snaps from the day:
Peacocks, pirates and all that lives under the sea and sky. It was a great final workshop of the year.
I am currently involved in an outdoor art trail here at Central Park, Brooklyn, Wellington for local emerging artists and designers running from March 5-8.
This project, Upstream Art Trail has been organised by the Friends of Central Park who are all locals that devote time to maintaining and improving the park. It is an incredibly thoughtful and generous project that gives emerging artists and designers an opportunity to exhibit a site specific outdoor work with a modest budget. Upstream also aims to bring new visitors to the park, while also providing a cultural experience and a different point of view to the regular users.
My involvement was initially to select the artists and to act as a mentor – helping with logistics, practical concerns and advice along with the wonderful Vanessa Crowe.
I am also running/coordinating a local school community project that will result in a collaborative artwork made by children from the four closest schools to the park: Te Aro School, St Bernards, Ridgeway School and Brooklyn School.
In December, I ran research workshops at the four schools on the theme of “Shelter” which is the greater project’s theme. Using a class/group from each school we brain-stormed the theme into What, Who, Why, How, discussing all the types of shelters we could think of, the different creatures that made them and why and how we can make shelters ourselves along with many other tangents! I then asked the students to draw a creature and its shelter/s and then they drew an ultimate/fantasy shelter. We also tried to make shelters with our own bodies.
There was a fantastic amount of data collected which has allowed me to develop the project further. This project is student led whereby I had no idea what materials or form or system that this project would take – unlike my other collaborative projects. The unknown makes it a little scary – working outside my comfort zone, but it is also thrilling and reliant on serendipity and experience.
One thing that was announced by the Wellington City Council just after my initial workshop phase was the idea of Wellington becoming a “super city” and I have decided to run with this for a few reasons:
Kids are fantastic problem solvers and lateral thinkers and should be involved in this discussion.
Wellington is already a Super City full of Super people.
What if kids designed a city?
I am looking forward to the types of shelters and city planning that the kids will come up with – they may be on to something.
The artwork will be Super. Ok, I know I have used the S word rather liberally, but kids are, and they all know/understand the idea of a Superhero being someone with extraordinary powers who comes to the rescue. Extending from my last blog post – these guys will be inheriting the world from us and they may need to rescue the future from some of our decisions.
I will be running the artwork “making” workshops in the last two weeks of February where I will be spending a full day on site at each school making the components for the greater artwork.
The local school communities will then be invited [along with their families] to assist with the install of the works at the park in the days leading up to the launch. The details will be announced shortly.
Here are some images from the research workshops in early December 2014: [in no particular order]
The Upstream Arts Trail would like to thank the Wellington City Council, Creative Communities, The local schools participating, The artists, The friends of Central Park and private sponsors for making such a wonderful community event happen.
Happy 2015 to you all. I have been avoiding this space [apologies] as it has been a busy time over the Christmas, New Year and Summer holidays.
But this doesn’t mean that I haven’t been busy thinking, making or teaching – I just haven’t had the time to reflect and document, but here it goes.
On December 1st 2014 it was Antarctica Day, so to celebrate, I ran some workshops at a local primary school in Wellington NZ to consider our icy neighbour. At the request of Hanne Neilsen I ran a ‘flag making’ workshop for 6-9 year olds. First I talked to the kids about some of the main facts relating to Antarctica. Most of the kids are familiar with how our local weather is affected by the continent as the Southerly wind that Wellington is so famous for travels swiftly here without any obsticle.
I find it really important to reinforce to the students how interconnected everything is and how our actions have consequences. These mini ambassadors are inheriting this earth and the more knowledge they have now, the better human beings they will be.
Antartica has no flag of its own, so after our initial discussion that includes geography, topography, history, science and wildlife, the kids set about designing their own personal Antarctica flags on post-it-notes:
Then the kids formed groups of 4-6 where they discussed the best ideas presented in each of their designs and together came up with a plan for a group flag.
The students worked on taped out areas on the floor and with recycled scraps of paper from my stash and from their classroom’s resources.
In the form of a temporary collage – ie, nothing was stuck down, the kids cut and tore the elements of their designs in the four colours provided – red, blue, white, black and their final works were incredibly thoughtful and original.
As you can see, the results are fantastic, but the best thing was what happened in the classrooms after I had finished the workshops.
The effect of the only one hour workshop continued as did class led enquiries into Antarctica. Here are some of the results from both classes:
There is much power to providing a genuine experience to young learners. I am painfully aware there is only so much that I can share with the students during the workshop time, but it would seem in all occaisions, a very potent seed is planted that allows for further investigation and learning.
I love my job!
Photo credit Aaron Campbell Photography
So Icefest has come and gone now and this post has been sitting incomplete in my drafts for the last couple of hectic weeks. Sorry!
Here is the link to the info about Inland Ice and NZ Icefest- that is now being disassembled. This is probably the shortest time frame I have created an installation for – it was open to the public for a little over two weeks. An incredible amount of focus for me but it had high impact and a very consistent audience, as well as a 24 hour time cycle. It was also an wonderful problem solving exercise /collaboration with the weather and collaboration with a really interesting and excellent bunch of people who all played a part in making my project and Icefest happen.
Over the weekend I was given an incredible opportunity to speak at Breaking Ice symposium along with some very esteemed and inspirational others. I felt like a very small fish but also that my thoughts and practice were completely relevant to the content of the day. There were many holes in my talk as I always have too much to say and included too many images and there was not enough time. However, the most important points were heard and were also part of the general consensus of the power of combining art and science and the similarities rather than the differences between the disciplines despite appearances and how we are taught to separate them.
Yesterday I was able to tear down some of my favourite sections that I will keep for no particular reason other than fondness, and the remaining 21 panels will be dismantled over the week and the materials will be reclaimed while some will unfortunately be disposed of.
Things are calming down for me now which will allow all the excitement of the past year or so [but especially of the past weekend] distill and manifest into something new. I have no major projects on the horizon which is a combination of scary and thrilling. What it will really mean is that I can get back to some painting and research so I can write some proposals rather than just keeping up.
More Icefest pics soon though – I just have a serious amount of editing to do there!
On Sunday, I thought I’d finished the majority of Inland Ice for Nz Icefest but a massive Southerly wind had other ideas. About 7 of the 23 panels had been damaged over night so Monday was all about creating a repair strategy as it was too windy to get on a ladder. I literally hid inside the marquee on site-avoiding both the wind and the sight of a partially deconstructed artwork. I took lots of deep breaths and ate a lot of chocolate! I also created mesh ‘bandages’ in order to make the structure gale proof. Once he wind subsided (it got up to around 100km p/h) at 5pm I got to start the repair process and after a team dinner, we all worked until almost midnight sorting most of it out. I had to delay coming back to Wellington so flights and accom and childcare were rearranged. I then worked all Tuesday doing all the final touches, a final lighting test and a partial pack out-partial because we had to race to the airport! But it is finished now, although still behind fences until Friday and will be available to visit from Friday 26 September till October 12 in Cathedral Square, Christchurch. NZ Icefest is open 10-10 everyday and there is much to enjoy!
Now I am going to catch up with my family and rest my aching muscles. 9 x 12 hr days in a row working outdoors has taken it’s toll. More pics soon though once the fence comes down.
After doing some very exciting lighting tests on Tuesday night, a southerly wind did its thing the night before last and for most of yesterday. It certainly put Inland Ice through its paces and revealed many weaknesses. It looked pretty bad, but actually wasn’t. The weather is something that the work always had to come to terms with.
Despite the work looking slightly shredded at times, I managed to devise some strategies to balance the aesthetic and structural needs of the work. I am glad the work was subjected to the Southerly while I was there, and in the early stages of the installation. From today-Sunday, I have Correna my assistant full time and I think that we will make some more rapid and visible progress. Actually, we have to as I am booked on a flight out on Monday evening.
This is a very physical project. Lots of scaffolding climbing, weather and rain wrangling, ladders and repetition and problem solving [and adjusting/modifying expectations] . I wish I could say that I am sleeping well, but I am not even though I am exhausted after each 12 hour day. Maybe next week!